Following the success of our Tripoli Stories, British Council gave us the opportunity to return to Libya for a second time. This time we were due to run our workshop in Benghazi and make another three short films, Benghazi Stories. Unfortunately, the political situation there meant that we had to relocate the workshop back to Tripoli but with participants coming from Benghazi.
Benghazi is the second largest city in Libya and the bed of the revolution, with the first uprising against Gaddafi taking place there in February 2011. Ever since last summer’s election, various militia have been exploiting a certain political unrest, reflecting Benghazi’s disappointment with the election results and their representation in parliament.
Of course, the killing of the US ambassador only days before our arrival was a drastic turning point. Banned from Benghazi for security reasons, we had to re-organize the workshop in order to deliver those “Benghazi Stories”. Prior to our arrival in Libya, we helped organize a camera workshop and briefed the participants to start researching potential stories with their cameras.
Starting the workshop in Tripoli, we spent the first two days exploring these rushes from Benghazi, and we shared a number of inspiring documentaries, offering solutions to questions raised about characters and structures. We had 48 hours to get the lads of Benghazi to understand the difference between “What is the story?” and “What is the film about?”
Following in the footsteps of Dhaka Stories and Rabat Stories, the Scottish Documentary Institute went onto another mission with the British Council. The latest workshop took place in Libya.
Our arrival in Tripoli was an anti-climax, all the clocks had stopped. There was no life at the airport, even the duty-free shop was closed, the shelves empty. A driver from the British Council had patiently been waiting for our delayed flight. We would soon learn that time is of no consequence in Libya... But this whole workshop was going to be a race against time: delivering basic film skills, engaging our 13 participants with creative documentary, showing them clips of doc gems so they open up to a new form of storytelling – beyond their Aljazeera experience – and produce a short film suitable for international festivals. Yes, I agree, we were asking for the impossible – but hey, we are filmmakers!